Resist universal culture

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One reason Frank Lloyd Wright was for many years regarded as old-fashioned (Philip Johnson, in his International Style days, famously dismissed Wright as “the greatest architect of the nineteenth century”) is that, even as he set about inventing the space of modern architecture, he continued to insist on the importance of Here—of the American ground. Wright always upheld the value of a native and regional architecture (one for the prairie, another for the desert) and resisted universal culture in all its guises—whether it came dressed in the classicism of Thomas Jefferson, the internationalism of the Beaux Arts movement, or the modernism of Le Corbusier.